| Peer-Reviewed

Untraditional Factors Discussion on Modern Freehand Landscape Painting Techniques

Received: 1 August 2017     Published: 7 August 2017
Views:       Downloads:
Abstract

The freehand landscape painting, one of Chinese painting forms, is based on Chinese traditional culture development. And modern western painting techniques affect Chinese painting a lot, which make Chinese painting present a new form. So through research and analysis, in order to expand more developing space for Chinese freehand landscape painting, it is significant to consider how to combine western culture with it and what need to carry on or give up under the trend of multi-culture.

Published in International Journal of Literature and Arts (Volume 5, Issue 4)
DOI 10.11648/j.ijla.20170504.13
Page(s) 35-39
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2017. Published by Science Publishing Group

Keywords

Freehand Landscape Painting, Western Painting, Pen and Ink

References
[1] Cui Yue, The influence of western art on Chinese painting, Book and Painting World, 2015, the 3rd issue of | cui yue guangdong academy.
[2] Ye Zhongfeng, On the influence of modern western art thought on Chinese painting, 2016 (2): 12-13.
[3] Xiaoming Xiu, The influence of western painting art on the development of Chinese painting, Group papers, 2016, pp 27.
[4] Jerome Silbergeld. 1987. Chinese Painting Studies in the West: A State-of-the-field Article, pp 12-14.
[5] Max Loehr. 1964. Some Fundamental Issues in the History of Chinese Painting, pp 121-134.
[6] Yang Huidan, The influence of western art thoughts on the painting style of the first three countries of the republic of China, The study of central plains culture, 2009, 17 (1): 160-161.
[7] Li xin, Zhao Liping, Western traditional color culture and its influence on Chinese painting, 2015 (5): 216-218.
[8] Zhang Tianshuang, The influence of modern western painting on the color of Chinese painting, Great view of fine arts, 2014 (8): 51-51.
[9] Gu Mengchen, On the influence of scientific thought and western literary methodology on the traditional art - taking Chinese painting as an example, Literary and artistic theory, 2016 (1): 184
[10] Fong Wen. 1963. Chinese Painting: A Statement of Method, 2002, pp. 73.
[11] Xf Yue, A brief analysis of the influence of western "realism" on the expression of Chinese painting and painting, Central academy of arts University, 2015.
[12] Joseph Levenson, 1957, The Amateur Ideal in Ming and Early Ching Society: Evidence from Painting.
[13] Lijing Ge, National is the world -- the influence of Western painting on the composition of Chinese painting, Art life, Yiyuan Wenhai, (2), 2016.
[14] Huang Ronghui, The integration and influence of Chinese oil painting and traditional Chinese painting, Art appreciation, 2017 (1).
[15] Xu Yu, On the innovation of contemporary Chinese painting and the integration of Chinese and Western painting, Jilin Arts College, 2015.
Cite This Article
  • APA Style

    Xiaochun Hu, Qiang Meng. (2017). Untraditional Factors Discussion on Modern Freehand Landscape Painting Techniques. International Journal of Literature and Arts, 5(4), 35-39. https://doi.org/10.11648/j.ijla.20170504.13

    Copy | Download

    ACS Style

    Xiaochun Hu; Qiang Meng. Untraditional Factors Discussion on Modern Freehand Landscape Painting Techniques. Int. J. Lit. Arts 2017, 5(4), 35-39. doi: 10.11648/j.ijla.20170504.13

    Copy | Download

    AMA Style

    Xiaochun Hu, Qiang Meng. Untraditional Factors Discussion on Modern Freehand Landscape Painting Techniques. Int J Lit Arts. 2017;5(4):35-39. doi: 10.11648/j.ijla.20170504.13

    Copy | Download

  • @article{10.11648/j.ijla.20170504.13,
      author = {Xiaochun Hu and Qiang Meng},
      title = {Untraditional Factors Discussion on Modern Freehand Landscape Painting Techniques},
      journal = {International Journal of Literature and Arts},
      volume = {5},
      number = {4},
      pages = {35-39},
      doi = {10.11648/j.ijla.20170504.13},
      url = {https://doi.org/10.11648/j.ijla.20170504.13},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20170504.13},
      abstract = {The freehand landscape painting, one of Chinese painting forms, is based on Chinese traditional culture development. And modern western painting techniques affect Chinese painting a lot, which make Chinese painting present a new form. So through research and analysis, in order to expand more developing space for Chinese freehand landscape painting, it is significant to consider how to combine western culture with it and what need to carry on or give up under the trend of multi-culture.},
     year = {2017}
    }
    

    Copy | Download

  • TY  - JOUR
    T1  - Untraditional Factors Discussion on Modern Freehand Landscape Painting Techniques
    AU  - Xiaochun Hu
    AU  - Qiang Meng
    Y1  - 2017/08/07
    PY  - 2017
    N1  - https://doi.org/10.11648/j.ijla.20170504.13
    DO  - 10.11648/j.ijla.20170504.13
    T2  - International Journal of Literature and Arts
    JF  - International Journal of Literature and Arts
    JO  - International Journal of Literature and Arts
    SP  - 35
    EP  - 39
    PB  - Science Publishing Group
    SN  - 2331-057X
    UR  - https://doi.org/10.11648/j.ijla.20170504.13
    AB  - The freehand landscape painting, one of Chinese painting forms, is based on Chinese traditional culture development. And modern western painting techniques affect Chinese painting a lot, which make Chinese painting present a new form. So through research and analysis, in order to expand more developing space for Chinese freehand landscape painting, it is significant to consider how to combine western culture with it and what need to carry on or give up under the trend of multi-culture.
    VL  - 5
    IS  - 4
    ER  - 

    Copy | Download

Author Information
  • School of Art, Yulin University, Yulin, China

  • School of Art, Yulin University, Yulin, China

  • Sections